The Fb Major Blues scale is the cheerful, twangy side of the blues. It's the sound you hear when a country picker or a Southern rock guitarist plays a bright, bouncy lick that still has a bit of grit in it. If you already know a major pentatonic shape, you're one note away from this scale. Don't worry about the odd-looking name either. As you'll see, Fb is a key that sits on a very friendly spot on the guitar.
Here are the six notes of the scale:
Fb, Gb, Abb, Ab, Cb, Db
Each note has a job, described by its number in the scale's formula. A formula is just a way of measuring every note against the root, the home note the scale is named after:
This scale is built from the Fb Major Pentatonic scale (Fb, Gb, Ab, Cb, Db). Add one extra note, Abb, and the pentatonic becomes the major blues scale.
If Fb, Cb and especially Abb look strange, you're not alone. Abb is a double flat, meaning a note lowered by two frets instead of one. These spellings follow a simple rule: every letter name gets used once in order, so the notes read cleanly on paper. But your ears and fingers will know this scale as E Major Blues, which is how most players think of it. Fb sounds exactly like E, so everything you learn here works the moment someone says "blues in E." The fancy spelling is just the paperwork.
On guitar, a half step (H) is the distance of one fret. A whole step (W) is two frets. The major blues pattern is:
W - H - H - W+H - W - W+H
"W+H" means a whole step plus a half step, so three frets. Starting from Fb, here's how it plays out:
Try it on one string. Start on the open low E string (that's your Fb) and climb: frets 0, 2, 3, 4, 7, 9, then 12. You've just played the whole scale with one finger.
The magic note is Abb, the flat 3rd. Players call it the blue note. Notice it sits just one fret below Ab, the major 3rd. Those two notes side by side are the heart of the scale.
The major 3rd (Ab) sounds happy and settled. The flat 3rd (Abb) sounds moody and bluesy. Played on its own, Abb can sound a little sour. But slide or bend it up one fret into Ab and you get that sweet, "crying then smiling" sound that defines country licks, Southern rock solos and jump blues.
What to listen for: play Abb, then slide up one fret to Ab and let it ring. Hear how the tension melts? That's the move. Use Abb as a passing note on the way to Ab, not a place to park.
A few chords line up neatly with the scale's notes:
For jamming, the classic blues setting uses three chords: Fb, Bbb and Cb, which you'll play with the familiar shapes E, A and B. A simple 12-bar blues goes like this, one chord per bar:
Fb | Fb | Fb | Fb | Bbb | Bbb | Fb | Fb | Cb | Bbb | Fb | Cb
Read that as E, A and B and you're ready to go. The major blues scale sounds its best over the home chord, so lean on it there and aim to land on the root, Fb, or the major 3rd, Ab, as each chorus comes around.
Here's the good news about Fb: since it sounds the same as E, the root is everywhere you'd want it on a standard-tuned guitar.
The open low E string is your anchor. Hit it while you play the scale and you'll always hear where home is. For a second position, start from the 12th fret on the low E string, or from the 7th fret on the A string, and build the scale outward from there using the step pattern above.
Set up a slow loop of an open E chord, or simply let your low E string drone. Spend five minutes playing only three notes: Abb, Ab and Fb. Slide from Abb into Ab, then resolve to Fb. Once that feels natural, add the other notes one at a time. Before long you'll be playing little country phrases that sound like they came straight off a record. Keep it slow, keep it relaxed, and let that blue note smile.
For the bigger picture, read The Major Blues Scale.